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The
Living Christmas Card (LCC) was founded in 1987 by Sheri and Craig Marshall
of Lewisville, Texas with one a cappella quartet of carolers. As the ensemble's
popularity increased, the Marshalls found themselves unable to respond
to the volume of requests, particularly at peak times and days, i.e,
Saturday nights in December. To meet market demands, the couple trained
and costumed a second quartet, and, as the number of requests continued
to increase the number of singers to meet the demand. All calls in each city for LCC appearances ring at an 800-number
in Lewisville; the Marshalls then contact individual singers in each
city and assign performance dates, times and locations. LCC has been
marketed primarily through entertainment and party services in each
area, but many calls come in as a result of word-of-mouth recommendations
from satisfied buyers and requests for return engagements.
The Marshalls maintain a wardrobe of Victorian costumes for singers
in all cities. Each costume is carefully researched and designed to
replicate closely the elegant, late-1800s attire and is custom-tailored
based on each singer's measurements. Sheri Marshall designs and constructs
all bonnets worn by female singers; men's top hats are purchased. Women's
costumes are made of fabrics in jewel tones e.g., royal purples, emerald
greens, ruby reds, topaz golds and sapphire blues. Gentlemen singers
are attired in dapper tailcoats and waistcoats of shades of black and
smoky grays.
Selection and training of the singers has changed as the business has
grown; today, LCC singers do not rehearse or perform in specific quartets.
Instead, the Marshalls hold auditions early each fall in each city.
Qualified singers receive LCC training materials that have been designed
by the Marshalls so any trained singer can sing with any other three
singers and produce a perfect product, complete with identical phrasings,
breathing, dynamics and enunciations.
LCC singers learn their parts from sheet music and from CDs recorded
by the premiere performing group. Three parts are recorded on one track,
the fourth on a separate track, so a new singer can learn his or her
part by controlling volume levels of each track. A new alto, for example,
can sing with her part only, then add the other three parts, then diminish
the alto track volume so she sings with only the other three parts,
just as she will in performance. Provided sheet music is marked specifically
as to dynamics, phrasings, breathing, etc., to match precisely the tapes.
In the Dallas-Fort Worth area, many of the singers are music graduates
of the University of North Texas (UNT). Principal LCC arrangers are
Craig Marshall and Jett Cheek, Marshall's former classmate at UNT.
Detroit was chosen for expansion because Craig Marshall is a Detroit-area
native and has maintained strong contacts in the the Motor City music
community. Other cities are locations of former LCC singers who wish
to continue involvement with LCC on a professional level. The Marshalls
anticipate the day soon will come when they restructure the business
into a franchise operation, turning over the audition process and specific
singer assignments to former members, while they continue to handle
all bookings.
Marshall credits the remarkable success of LCC to three elements: (1)
consistent, high quality performance by and overall professionalism
of LCC singers, (2) carefully selected repertoire and custom arrangements
written for maximum listener interest and (3) the outstanding, authentic
visual image created by custom-tailored Victorian costumes. |